ZH Motions began with one editor frustrated that great craft was locked behind language, geography, and price.
In 2020, Zakir Husayn was editing for Voice of Dhaka — building documentary cuts that traveled across continents. Between deadlines he started recording short tutorials for friends who kept asking "how did you do that cut?"
Those videos turned into a YouTube channel. The channel turned into a WhatsApp group. The group turned into a waitlist. The waitlist became ZH Motions Batch 01.
Today we run a working studio in Dhaka alongside a mentorship program that's graduated 500+ editors. The studio funds the school. The school feeds the studio. Both feed the craft.
Milestones that shaped the studio.
Zakir records his first tutorial — "how I cut the Voice of Dhaka segment" — on a borrowed laptop.
12 students from a WhatsApp waitlist. The first cohort to graduate the structured mentorship program.
Permanent studio space — color grading suite, sound booth, edit bays. Studio work begins funding scholarships.
Half-scholarship program in every batch. Students working with brands from Dhaka to Toronto.
New platform, expanded mentorship slots, and the next 500 editors.
Better to ship one masterpiece than ten mediocre cuts. We teach taste, not shortcuts.
One critique on your real work beats ten hours of theory. Every student gets direct review time.
Half-scholarship slots in every batch. Talent shouldn't depend on wallet.
You don't become an editor by watching. You become one by cutting — every single day.
The cut is everything. Color, sound, motion — they all serve the cut. Teach someone to cut with intention and you've given them a career.
A small focused team — see everyone or jump straight to the full roster.
As featured in & trusted by
Whether you want to enroll or hire the studio — start with a call.